After the Tupaq Amaru defeat, Pumakawa made paint his victory in frescos over the church's gate: by the middle is the Monserrat Virgin, to her right is the victory celebration that coincides with the Thanksgiving procession and the presence of Saint Paul, and Saint Peter holding in his hand the heaven's keys. Toward the left side of the Virgin is the battle representing chaos and Tupaq Amaru's faction. More over, there are images representing Pumakawa symbolized in form of fighting victorious Pumas; and other images representing Tupaq Amaru symbolized by the "amaru" (serpent-dragon) as chaos and squalor representation. Inside the church there is a canvas representing the same dark-skinned Monserrat Virgin, where it is possible to see angels sawing the mountain; that artwork was painted by Quechua Cusquenian School artist Francisco Chiwant'ito and dated in 1693. Juan Carlos Estenssoro wrote about that canvas: " This Virgin, although, Spanish typically, is related with some others of the purely Andean imagery such as the Virgin of Galleries, in which Virgin and mountain are confused".